Build a Video to Shorts Pipeline

Step 8 of 9 · About 5 minutes per asset

Score Every Asset Against an 85 Floor

Two rubrics, one loop, one rule: 85 or it does not ship. Three fix passes maximum, then it is killed or flagged. This is what stops the pipeline quietly degrading.

What you get

A scored, fixed, and gated set of finalists, plus an honest kill list.

Everything before this produced candidates. This step decides what actually ships. Without it, week three looks like week one with worse clips, because nothing was measuring the drift.

The shorts rubric

Scored out of 100, per short
DimensionWeightWhat it measures
Hook strength25Do the first two seconds stop the scroll
Standalone coherence25Can a cold viewer follow all of it
Payoff delivered20Does the thesis actually land by the end
Pacing and dead air15Any slack that should have been cut
Caption accuracy and readability10Do captions match the audio and stay readable
CTA clarity5Is the next action obvious
Coherence appears here as a scored dimension and stays a hard gate from step 5. A clip with an orphaned reference fails regardless of its total. The score cannot buy its way past the gate.

The longform rubric

Scored out of 100, for the episode
DimensionWeightWhat it measures
Hook strength20The cold open from step 7
Dead air remaining20What the rough cut missed
Pacing20Whether any saggy block survived
Audio levels and consistency15Anyone noticeably louder or quieter
Caption accuracy15Against the audio
Chapter quality10Titles and boundaries that actually help

The loop

  1. Score. 85 or better makes it a finalist. Done.
  2. Below 85, identify the single weakest dimension and apply one targeted fix. Re cut, re order the hook, tighten, fix captions. Re render, re score.
  3. Three passes maximum. Still below 85 means kill it, which is the default, or flag it to a human if it is 75 or better and the idea is genuinely strong.
  4. Never pad. Adding length to a weak clip lowers the score, it does not raise it.
Paste into Claude Code
Create skills/shorts-editor-loop/SKILL.md and
skills/openmic-editor-loop/SKILL.md, then run the shorts one.

shorts-editor-loop scores a rendered short 0 to 100:
  Hook strength (first 2 seconds stop the scroll)   25
  Standalone coherence (cold viewer follows it)     25
  Payoff delivered (thesis lands)                   20
  Pacing and dead air                               15
  Caption accuracy and readability                  10
  CTA clarity                                        5

Coherence is ALSO a hard gate: any orphaned reference is an automatic fail
regardless of total score.

The loop:
1. Score. 85 or better means finalist.
2. Below 85, name the weakest dimension, apply ONE targeted fix, re render,
   re score.
3. Maximum 3 passes. Still below 85 means KILL by default, or flag to me with
   the score breakdown if it scored 75 or better and the idea is strong.

openmic-editor-loop is the same loop for the longform episode with these
weights: hook 20, dead air remaining 20, pacing 20, audio levels 15, caption
accuracy 15, chapter quality 10. Route each weakness back to the skill that
owns it rather than patching the output.

Now score every rendered short in episodes/<date>/shorts/ and give me a table:
clip id, total, each dimension, verdict (finalist, fixing, killed), and for
anything below 85 the ONE fix you are applying next.

Be honest. A generous score here costs me the whole week.
Check it worked
Count your finalists. If every single clip passed on the first try, the scorer is being generous and you should tighten the rubric language. A healthy first pass kills or reworks roughly a third.
Where this bites
The three pass limit exists because pass four is always a rewrite pretending to be a fix. If a clip needs four passes, the idea was weak and you are spending render time proving it.

Questions

Why 85 and not 70?

Because 70 is the score of something that is fine, and fine does not get watched or shared. The number matters less than the fact that it is fixed in writing and applied every week regardless of how busy you are.

Is it really better to ship 4 shorts than 10?

Yes. Two great shorts beat six acceptable ones, because the acceptable ones train the algorithm and your audience that your clips are skippable. The quota is met by mining more ideas, never by lowering the floor.

Talk it through

Stuck on this step?

Free 30 minutes. Bring the error, the transcript, or the clip that will not pass the gate, and we will work through it.